It’s that old multi-tasking indictment and being a mere male I’m subject to the law once again. The blog suffers when my mind is taken up by other matters and recently our little drama company started on the trail for government funding – then later realized that our integrity may be impaired and our precious time taken up by company matters rather than theatre. So, we remain our own masters, flexible and free, surviving on ticket sales and a certain amount of sponsorship. The core members of the group are all professionals, we have high standards and it’s allowed me to do some of the best work of my life so far. It’s also allowed me a platform for my own written work, for a second time and in a different country.
Cardigan, a lovely coastal town in south-west Wales, provided the first opportunity. Teivi Theatre Company occupied the Guildhall Theatre in the town for three summer months and produced two of my plays. The first moments were traumatic. The play was a comedy called Oh Pair! I had a part in it and therefore was on hand from the moment I passed my script over to the director. It is a moment every playwright must endure – it is your child leaving home and you have to let go and it’s not easy. It took me a few days to reconcile my vision with that of the director and there was tension for a time. I don’t know how the resolution came about but somehow I saw the sense in giving the director his head and he led us along a happy trail and produced a great result. I remember the man with affection and admire his tenacity and his theatrecraft. His name was Noel Cummins and he died of leukemia two months ago.
The play lives on and is published online on lazybeescripts.co.uk and as wonderful as Lazybee is its publication here is perhaps a shadow of what might have been. With my old friend Phill, who now runs an enormous role play organization, I sat in an office off St Martin’s Lane opposite Marjory Vosper, one of the foremost literary agents of her day. She said to us, “We’re going to make a lot of money with this play” then she died three days later. I was already on to the next thing and the energy had dissipated, so I did nothing with the play until offering it to Lazeebee two or three years ago. Since then it’s played twice in the States and three or four times in the UK. Just to finish off the Oh Pair! tale – it received great reviews in the local newspapers which also enjoyed the first night gaff. To achieve some extra space on stage we had set a coffee table in front of the tabs (curtain for non-theatre folk), which closed on act two, scene one leaving an ice cream on the table. They opened on act two, scene two, two minutes later but, as it explained in the programme, it was three months later in play time and the ice-cream had hardly melted at all.
Cardigan County Council was happy to allow us use of the theatre as we added to the cultural and entertainment value of the summer programme in the resort town. Things are different on the island of Gozo where minor enmities are the order of the day. If it is a microcosm of the world at large, it is little wonder there are wars. Divisions are everywhere and start with the two political parties adhered to by tradition more than judgment. In the not too distant past, election time intolerance has resorted to gunfire. Two social entities, the Leone and Astra clubs, divide the inhabitants along party and religious lines and during Festa celebrations each of the institutions’ buildings need police protection.
Small wonder then that within the cultural environment, there is similar jealousy that makes life difficult for a non-aligned theatre company. A space in the magnificent Citadel has been designated for use as a theatre and we have used it twice, each time navigating the boisterous ocean of incumbent jealousy and fear – in this most public of ancient buildings, labeled now as a Centre for Culture and the Arts – one of these inhabitants cried, “This is my home!” His sinecure at the Citadel should be curtailed but connections are everything here and change is sloth slow. The worst of it is the deliberate sabotage that even when detected raises a naughty grin rather than embarrassment or, God forbid, contrition.
Here on this tiny holiday island of Gozo that talks about widening it’s offerings to a visiting public, our little company once again sees the cannons being rolled out at the Citadel. We are eager to mount our next production but communications have already broken down between departments, putting the event in jeopardy and raising stress levels. It is scheduled to go ahead in November and this time we are looking for a professional actor to join us from the UK. He will play Henry V111 in a new play of mine, if the powers that be can restrain their need to demonstrate their various strengths and allow it to succeed.
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